Thursday 31 December 2015

The New Year & Things To Come - Final Thoughts From The Teege & Mr White

So... with the new year around the corner, White Mason Reviews has had a melding of two minds.

With more events coming up on the calendar, and interviews of a surprising nature, this will be a space to watch.

One prospective interview will be with the ever-famous and progressing star of the comedy circuit, Mr Nelson T Gombakomba Jr, and a couple of others.

Then, we will turn our attention to more of an indepth look into the retro gaming scene in Norwich. Game reviews, competitions and more!

More artwork is to come -- and with that, a new feature will be on the horizon for the reviewees. You will now find one of our illustrious calling cards, left at the scene of our latest venues of attendance. Are these to be feared or loved...? That is for you to decide.

Finally, rounding off, there will be a battle of the coffeehouses of Norwich. YOU HAVE BEEN WARNED!

I leave all our followers with wishes for a happy new year, and make sure that you keep an eye on what's to come. I promise you it will be entertaining...

December 2015 saw White Mason Reviews launch from the aforementioned 'melded minds' of two analytical friends - disparate in personality and background, yet united by a passion for the good things in life. In less than a month of operation, we've appraised both new and established Norwich venues, imbibed spendid blends of coffee, reviewed niche yet surprisingly deep indie games about prisons and zombies, and been bowled over by some of the most exquisite eating known to man.

It's been a rollicking whirlwind of activity, particularly after the breakthrough first review of the famous Gonzos Tea Room Comedy Nights -- which to our delight, ended up part of the material of one of the comedians at the following gig!

We've been gratified and grateful each for the responses we've garnered, as we lay down our dualistic reviewing style -- the florid and wispy perspectives of your humble scribe, Mr White, united with the no-holds-barred onslaughts of The Teege. Indeed, my colleague's outlook on 2016 is correct in its optimism, for the very plans he outlines are just the beginning!

As dust settles from our surprisingly impactful launch, we'll open the coming year with a more formal introduction -- who we are and why you should care what we think, if you wish to address the matter so simply. That way, you'll know what's what when you chance upon the very calling cards of which The Teege speaks -- and our sights are not honed on the Fine City alone. We're already in talks for the first of perhaps many events that shall see us travelling to bring you the best in food, entertainment and culture critiques... and you will forgive me, I'm sure, if I confess that I'm more than just a little excited.

Happy New Year, indeed!

Wednesday 30 December 2015

Gonzo's Christmas Comedy Night 2015 - Mr White Recaps


With the festive season behind us, let's discuss one of its highlights! Although an event usually held but once a month, December 2015 has seen a festive Christmas Comedy Night grace Norwich's unique and popular Gonzos Tea Room, hot on the heels of the rambunctious antics of the last. Although both myself and Mr Mason had the great pleasure of reviewing the prior occasion, the Christmas Comedy Night of 16th December 2015 clashed with each of our bustling lives -- as this time of year is prone to do.

Nonetheless, your humble scribe afforded himself the opportunity to sojourn to the grand venue and partake of its comedic delights in part upon the very night of December 16th. Therefore, I proffer in this article an overview, if you will, of the events as witnessed, together with insights garnered from some of the featured talent. It'd be remiss of us to conduct a review on the basis of only a part of the event as witnessed -- and without The Teege's input, the very dualistic nature of White Mason Reviews would be missing in action. A snapshot I provide, then, for your salubrious delectation.

Nelson on fine form
Gonzo's Christmas Comedy Night welcomed a sweep of comedians -- both those new to its stage, and those familiar with the venue. Indeed, the charismatic Master of Ceremonies and Gonzos mainstay, Mr Nelson T Gombakomba Jnr, was on-hand to administer his own unique brand of quick wit, wry observational comedy and outrageous remarks about life at large -- and joining him amid familiar faces 'neath the white glare of the spotlight were Alexander Oliver, Adele Cliff and Ryan Cross.

Ah yes... Mr Ryan Cross. He's a stalwart face in Norwich's comedy circuit, making regular appearances at Gonzos. It was during his set that your humble writer arrived on the scene, taking my seat among the patrons as Mr Cross conducted his works. It pleases me to tabulate that Ryan was on excellent form that night -- though his material as to my ear was often familiar, it resounded to yowls of laughter and appreciation to newcomers. Moreover, his newer material -- ever courting controversy, touring such topics as Syria and Fallout 4, as well as the myriad mysteries of human sexuality -- was both dryly delivered and proficiently paced.

However, Ryan's performance of the night really stood out through his hitherto-unknown-to-me talent for improvisational comedy, as a discussion with a couple in the audience regarding the differences between homosexual and heterosexual pairings finally culminated in his railroading the comical discussion back to his material with the exacting and deliberate wording, "When a couple, one of whom is male and the other is female, has sex -- which they are free to do, or not do, with whoever they choose to..."

Applause! And when he began citing White Mason Reviews' appraisal of his previous December performance to round up his act? Why, one was delighted, terrified and flattered in equal measure -- particularly in how he converted an unfavourable review into an observational dig at the pervasive freedom we all have to, essentially, be more or less unaccountable for our actions, thanks to social media. Nonetheless, this was Ryan Cross as strong as ever I've seen him, and it's apparent that his persistence and ambition are paying off. We look forward to what he will bring to future events -- and The Teege, when I related Mr Cross's performance to him after said gig, is similarly impressed. "He's stepped up and it sounds like he's improving. I'm actually excited to see him perform again!"

Other familiar acts of the evening were met with similarly appreciative responses from the crowd. Alexander Oliver, rising star on the British comedy circuit and frequent Gonzo's Comedy Night contributor, gave a much more assured performance on the night, incorporating audience interaction with his consistently hilarious one-liners ("Physically I'm 22, but mentally I feel more like two 11-year-olds stuck together..."). Speaking to your jocular scribe after his performance, Mr Oliver revealed that he had leant less on audience reaction than his previous appearance at Gonzos, and by easing his mindset, it's apparent that he opened up fresh opportunities for off-the-cuff humour that are otherwise challenging to find in such a complex gigging environment as this particular venue's L-shaped room. Indeed, he held the entire audience rapt for the duration of his performance, and we heartily enjoyed his combination of twisted tales, quick quips and addled despondency with modern life.

Adele Cliff in action
Adele Cliff last came to Norwich armed with a notebook, from which she proclaimed wafty prose about lovelorn elbow-bumping and queried audience members about their likes and dislikes -- their responses leading into wordplay and puns. It was a similar story for the gig of 16th December, flecked with some sparky ad-hoc antics. Although a simulacrum of sorts, her on-stage persona would seem, if anything, a concentrated interpretation of her genuine personality. One gets the impression that Ms Cliff would be a lot more content with the world if it featured more people giving her biscuits.

Such is not to diminish her intellect, that is -- upon prefixing my approach for a White Mason Reviews interview with a hearty handshake and a cheerful greeting ("Hello, Tony From The Internet!"), Adele responded to my appraisal of her comedic style as 'weaponised awkwardness' with enthusiastic agreement. "What intrigues me about the feedback that I get is that... some of what I do, it's not a million miles from what a lot of today's male acts are doing," she noted. "But it's nothing like most of the female acts. So I get told that I'm the only woman doing this style of comedy, which puts me in this really unique position." She fizzes with enthusiasm as she relates the nuances of her craft, and it's a sentiment shared with her peers within the room on any Gonzo's Comedy Night -- the talent is here because it wants to be here.

Indeed, Alexander Oliver's post-show discussions hinged on enthusing about the next gig in town. That said, he demonstrates the kind of urgency to improve that defines most of the great comics of our time, to such a degree that one often has to reassure him that he's doing fantastically well. As the room thrummed in the post-show buzz, that's exactly what main man Nelson did, praising Alexander's audience interactivity, before confiding in me his plans for the future. "2016 is gonna be big," he grinned, visibly excited as plans percolated in his rapid mind. "January 29th!"

The coming year looks grand indeed for Gonzo's Comedy Nights, which has now established a troupe of familiar headliners who each bring a different slant to a night's chucklesome endeavours. Yet fresh acts, both local and national, continue to grace the stage in ways that lace intrigue for the year to come -- and White Mason Reviews looks forward to a comical cornucopia in the coming months!

Sunday 20 December 2015

Project Zomboid - Sandboxy Horror? - The Teege Conducts An Indie Game Review


So the zombies are coming, I hear. Excellent... let me just pop to my bedroom and choose from my arsenal of weaponry what to kill you with. Not enough to choose from? Oh well, the frying pan will do, or a good baseball bat.

The UK and Canadian based developer Indie Stone have set out, in Project Zomboid, to make their 'ideal version of a zombie game'. Retro in style, with a couple of comedic twists and turns among the plentiful atmosphere of dark and grim horror, this really does set the scene. And the Tutorial? Well. Informative, I'll give you that, but the sadistic ending! What a twist!

So the game itself opens, and you're alone, in a building. Apparently this is your home -- you have no choice over furnishings or location, that is what you're lumped with -- but you do, and personally I like this, get to modify your character by what they may have experienced prior to the apocalypse. 

So I went for a carpenter. Thinking good with making things and above all else... AXES! Lopping heads off with joy, I thought, would be a great start. Now to find an axe. Which you will find is damn near impossible.

Resources in this game are so damn accurate I actually find myself praising them. There was no gun for the first (in-game) week and a half! Kitchen knives, spades, baseball bats and frying pans are common. Food resources are good as well -- plentiful to start with but lacking later on. The complexity of this game is strong as well; the tactical play, considering there is line of sight at work, increases the tension. So entering a building looking for an apple because you haven't eaten for 12 hours is nerve-wracking, especially if you're wearing sound-cancelling headphones and your dad walks in right as a zombie appears!

The one problem is that if you want to play multiplayer with your friends at the same time, it's nigh impossible without paying for the privilege of your own private server. Now honestly, this is shambolic if I must say anything about it. If I want to see if me and Mr White can survive together, and we can't even find one another, well... there's something wrong there. I even checked the local coffee shop!

 

Startling as it may be to realise, I don't think I'd actually hide in a coffee shop in the event of a zombie apocalypse. One would run the risk of seeing the only thing worse than a zombie -- a HIPSTER zombie. It'd shamble over, all ragged plaid shirt, maggot-ridden beard and an urgency to only enjoy eating your brain ironically, droning about how it was undead before everyone else was and ruined it.


So a good start to what may be a great game, but with overpopulated maps, and no multiplayer locally, this game is lacking some major points! Why, Indie Stone?! Why... do you as developers go and create an idea that could expand beyond the American boundaries and yet only develop two maps (yes, they're expansive in themselves)? But yet they do not contain different continents! The UK is one of your biggest markets next to the US... (sorry to the rest of the English-speaking world but this tends to be where most of western marketing hits...). So stop sitting there in your board meetings sucking on one another's arms going "can we be more zombie like?" and sit the the f**k down, grab a hold of your balls and put pen to paper designing London and local multiplayer maps!

My advice for new players of Project Zomboid? Hide for the first couple days, venture out to the nearest local building and hope you get lucky. You can always run away from zombies -- just don't get trapped by a hored, because I promise you, you will die quicker than a man not delivering my pizza!



I leave it there. My opinion is 3/5 stars. Could be a lot better... but it's a start! Develop it more and you could have a strong, promising game here!

Wednesday 16 December 2015

Strangers Norwich Roastery - Mr White's Coffee Contrast


Caffeine in Norwich is never in scant supply -- the streets of the Fine City burgeon with a smorgasbord of both titans of the double grande supremo lite whipped pumpkin spice cheese & onion soya monkeyccino (or whatever the hipsters are drinking these days), as well as the plucky independents honing the coffeehouse craft in avenues, lanes and thoroughfares galore.



Ah, my little compadre... you finally accepted my invitation to understand the quality that can be produced when the labour of love is put into an art form over something as simple as a coffee bean!

Alex Sargent and his band of merry coffee baristas have created a wonderful establishment just a moment away from the beating heart of Norwich. The coffee shop situated in Pottergate, opposite the ever-so-popular Grovesnor Fish Bar (which has a review to come I might add), serves a complete range of speciality coffee!

In short, competition for your coffee-cash is as high as your energy levels after imbibing just such lavish libations, and as such, it's tricky to fathom which establishment best befits your fine attention. The Teege™ heartily advocates the magnificent mochas and peerless percolations of Strangers, situated in the quaint Norwich Lanes. Indeed, said hub of happy beverages teems with custom at all hours, and the method behind such madness is simple -- the coffee is artfully crafted, meticulously roasted, tuned to your individual palate. In short, it's a business model evocative of the fact that the goliath chains consistently forget -- customers care about your business when your business cares about them.
Strangers, like many independent coffeehouses in Norwich and beyond, proudly sells a variety of specialised coffee blends in bags, allowing the customer the privilege of savouring the flavour at home. Yet this year, Strangers opened its roastery in a discreet backstreet close to its well-established bustle, and it is within this hallowed hall that coffee craftsmen conduct their fine works. Beans hailing from every corner of the world arrive in bulbous sacks of hessian hope, and from such beautiful brown bounty an array of aromas, flavours and sensations are conjured by experts equipped with a dazzling cornucopia of contrivances, contraptions and craftsmanship.

Yet even as a beating heart of industry, Strangers' new roastery retains warmth in its soul -- patrons are free to enter from the street to purchase coffee to go, as they would in any other establishment, and in quieter times the masters of the machine are known to cheerfully proffer free samples of the latest creations to curious visitors.

This is a place you must see to believe. Right in front of your very eyes, you get to see all the masters at work, from the procuring of such beans to the flavours that are to come. The knowledge-base centred here brings the coffee to life! If you have never tried coffee in its purest form, spend 10 minutes in here -- talk to the Dave behind the counter. He will open your eyes to what you could never imagine! 

Through such means, your humble White and Mason each were introduced to two fine flavours, concocted by Strangers in just this very roastery, diverse and delicious in very different ways. These were the Rocko Mountain beans from Ethiopia, and the Colombian crowning glory that is Augustino Forest. At £8.50 per bag o' purest percolating brilliance, both Rocko Mountain and Augustino Forest lean towards the premium end of Strangers' in-house spectrum, yet the flavours evoked by both are well worth the investment. Let's be honest -- you'll be lucky if you live on this planet a century. Life is short. So why waste time on lousy coffee?


Me gusta mucho.

Your humble writer's latest purchase from Strangers' hotbed of java jollities was, indeed, Augustino Forest, and said bean is enjoyable for its crisp, almost tart finish. Though a fine, smooth, rich and luxuriant coffee can be conscripted from the beans, each sip crescendoes on the palate with a saccharine, yet not overbearing, flavour of citrus-like zeal, flecked with the notion of orange chocolate. Sublime.

Equivocally, the Colombian delight is perfect for an autumnal afternoon with a book. It warms you with its gentle brilliance -- flavours that don't smother your mouth with a bitterness. The little hints of citrus sweetness complements the sharp. invigorating beans.

Yet for today's Coffee Contrast? The victor is undoubtedly Strangers' Rocko Mountain  -- simply for the fact that it alters significantly depending on how long it's been in the cup. Immediately after pouring? Earthy. Rich. Lustrous. Left for a few minutes? Hints of berries, notes of darkness, a tastebud tapestry that lingers in the throat and teases down the gullet. Whilst your humble writer knew that coffee could be diverse in flavour depending on origin -- even if the forays to Strangers' roastery have compounded such a fact in manners both stunning and enlightening -- I have never before the Rocko Mountain blend tasted a coffee that evolves.

I too have tempted my palate with the delights of these two very fine beans, and I must say I back my companion on this one. The Rocko mountain just nudges a nose ahead of the Augustino Forest, though this is not besmirching the delight from Colombia at all.

The Rocko Mountain's strong and vibrant dark tones harmonise well with the lustful fruity captivation. If you want a cup of a beautiful perfection-making morning-juice, then this is the bean for you. Don't stand around reading this! Go! Now! Find Strangers! Drink the black gold they have created and thank us later! ...Okay, maybe read the rest of this review give us a like and a share, but GO GO GO!

Ergo, betwixt both beverages, it's a resounding recommendation indeed for the Rocko Mountain. Hale, hearty and heaped with surprises, it also packs a powerful kick that will keep you buzzing beyond the norm. Nevertheless! There's plenty more caffeine to be had -- trust me, I'm a writer -- so rest assured that The Teege™ and I will continue to quest for the finest beans known to man. If you've recommendations of your own for Coffee Contrast, don't hesitate to get in touch... presuming we've not dashed across town, abjectly wired, to go stare in fascination at some tables.

(...You'd had to have been there....)

Thursday 10 December 2015

Dray Yard Smokehouse - The Teege Critiques!



Every time I pass this new eatery in the Fine City, I always see the establishment packed -- the smells, the sounds, it's enticed me. You shall be judged. It's time... for another "TEEGE CRITIQUES"!

Upon entry? Greeted instantly with the offer of whichever seat took our choosing. No booking comes to mind? It seems Dray Yard Smokehouse is always fully booked between 6PM and 8PM every weekday, and especially weekends. Seems we were lucky enough to arrive within a minute of two tables cancelling.

Our waiter, Shaun, meanders his way through the tables and greets us with a welcoming smile, with a genuine interest in how our days were... nosy? No, just a happy man who takes an interest! The offer of drinks is exchanged, but me and my company were locked in a furious debate over how Thrall is much better than Garrosh! And we therefore haven't even given our full attention to the menus. So focus we must. Shaun explains it's no worry, to take our time, and lets us know that the special bottles are on the board and if we need anything to let him know.

I perused the board and found a very interesting apple, whiskey and cinnamon cider -- and upon tasting, was taken aback by it, with the colours of rich golden fields glowing from the glass. My company went with a glass of rosé to support her order. "Fruity with a zesty punch", was her description. Now to the main course, which we were both looking forward to. I went with a combo plate, which was £16.50 in price -- that is not bad, considering the amount of food you get! So my company did as well.

Her unique choice of chicken and ribs was a combination of splendid, succulent and warming smoked barbecue flavours, tastes of zest dry rub and moreish chilli, together with cheesy macaroni goodness that can only be made by the hands of those with talent. Words are sometimes not enough to describe what the mouth can taste. This is when English loses itself as a simple 26 letter language, maybe we should go for Russian? Too harsh -- French, too fluid? Spanish, too temperate? Then combine them all, find the words, and deliver.

So when it came to my decision, it was simple -- what's cooked long and slow, with flavours of another world? It's obvious! Any pulled meat that's slow-roasted, smoked or stewed... so why not have all three?

Beef brisket that is slow-smoked for a minimum of 12 hours. Pulled pork slow-cooked and finally, pit beans -- a combination of both, stewed with beans. Yes... this is it. This is near enough an orgasm on a plate. Why has no-one considered this as a food?

The service was on point. After two bites into the meal, Shaun checked everything was okay, and left us to it. I think he could tell from the smile on my face that I was enjoying it. Maybe I have even found a rival to pizza. Yes, I said it, Tony™ -- a rival of pizza! I'll drag you kicking and screaming from your abode atop the hill to this house of smoky foods and open your eyes.





Why don't we just take everything you've just described and photographed and put it on a pizza, so we can have the best of both worlds?





Dessert followed after a cleared plate. Pecan pie. Yes -- none other than Staghorn's favourite (sorry to those who do not know of Oxhorn and his works)! But yes -- it was there on the menu and I went for it.

Chocolate brownie was the accomplice, and well met it was. Alas no pictures of these desserts, as I am afraid my phone's battery passed away. But to say the sights were that which any man or woman can dream about.



So to say this as my final piece, I am blown away by what is done here; there is much more to try on the menu, and I will be back hungry for more of what's offered. So bring it on, Dray Yard. Show me what you're made of. Show me the wonders of your kitchen. Let me know your secrets. I will be back.

4 / 5 Stars





Sweet merciful pogo-sticking Christ, in all my years of friendship with The Teege™, I've never seen him praise an eatery so highly! A rare accolade for what, it seems, is a rare and brilliant jewel in the Fine City's crown. Eagerly anticipating a visit of my own!

Tuesday 8 December 2015

Gonzo's Tea Room December Comedy Night - The White Mason Review!


On 4th December 2015, Mr White & Mr Mason were invited to a wondrous event by Mr Nelson T Gombakomba Jr. The venue? Gonzos Tea Room. The occasion? Comedy night! What else were we to do... but to REVIEW?!


The famous Gonzo - namesake of the venue!
Gonzos Tea room is a well known place in the Fine City, having shirked more unsavoury reputations garnered from its previous antics as Kartel and Havana (yes... those days!). Now it has an interesting atmosphere of hipstery hysteria crossed with a wannabe geekiness. On a Friday night, such as that of our visit, the music could be said to be over-compensating for what could be a good atmosphere of everyone enjoying conversation -- but it seemed to to get even louder when more voices filled the room. Honestly, learn to let people talk, not so they're sitting 30 centimetres away from one another and they have to shout to be heard.

The Teege™ and I part ways on this particular outlook. Not only am I a fan of the funk and soul music that Gonzos so readily proffers, but I'm also not that against the volume of said tuneage. Indeed, I've a review for a certain OTHER venue in Norwich, recently opened, which plays music at a thundrous level far less conducive to decent conversation than the brilliance of Gonzos' own!

Gonzos Comedy Nights, usually held once a month, have become a highlight of our own social calendar, so it's a privilege to review one. Showcasing up and coming comedic talent from around the country, no two events are ever the same -- yet a menagerie of established favourites frequently tread the boards to lay down the laughs. The event of 4th December did not disappoint! 

Music aside, the comedy was to start at 8PM. After meeting friends and having some drinks, the
night began rather interestingly... some squeaky teen jumped up on stage and gathered everyone's attention.

Introducing stand-up comic and Gonzos Comedy Night mainstay Mr Alexander Oliver. Myself and Mr White have listened to Alex's trials and tribulations previously and found him to be fantastically funny. Some of the things this guy goes through are unbelievable! Engaging with the crowd, Alexander set about lightening the mood of the room, then a rather large heckler opened up... at which point Alex shut him down using his wife! Some light-hearted jokes flowed, the room was ready. The audience interest was there, but down-key -- as for Alex? Honestly, the only way to describe this guy is a Pikachu on speed! His back and forth with the audience was interesting, it started to lose some of the audience half way and at the back of the room the bar was completely lost to drinks and hubbub. Eventually with some specific interaction they came back, and Alex introduced the first act. Teege's Rating 3.5/5 Fed a little too much off the audience -- but when hearing what this guy has been through, you can do nothing but laugh!


Alexander Oliver has played numerous times at Gonzos, and each of his performances seems to build on the last. This particular event marked his first time as the venue's Master of Ceremonies, and he actively engaged with the audience to build up some excitement. To describe his comedy style is simple, yet nuanced -- Alexander Oliver is, essentially, exasperatedly disappointed in people at large, and wants you to know it. His humour runs the gamut from acute self-loathing ("If I was a Pokemon, I'd be the one nobody wanted to catch!") to wry audience interactivity, and his material is consistently fresh and humorous -- as well as astonishingly, starkly biographical.

The only caveat? I feel like he was waiting for the audience, and the audience were waiting for him. Alexander -- your material is sublime, and if the audience seem silent, it's only because we are eager to hear it! 3.5/5  from Mr White -- Always a pleasure when Mr Oliver takes the stage!

Now lets see who's first up?

Alan Wycherly -- Odd jokes, started off coldly, didn't really see past the first couple of tables as far as audience interaction goes. The back of the room drifted off, the jokes weren't particularly funny -- there were a couple of quips about being a father and life living with kids, which was okay, and there were a couple of murmurs from the crowd. This was short and sweet, nothing special but could possibly bear to listen to him again if I had to... Teege's Rating 2/5 - Could do better, maybe find how big the audience is and you might entertain them... other than those five girls around a guy.

 Alan's performance had a few highlights, most notably the foibles of the dating game and the peculiarities of life in the Millennial generation. That said, if you asked me to conjure my favourite of his quips, I'd have a hard time recalling any. The gentleman's got some talent, yet it seems as if it's waiting to reach its full potential. I'm eager to see what he can concoct in the future. 2/5 from Mr White.

Next on the billing for the evening was Ryan Cross. I'd previously heard some of his material, and have seen him perform two or three times before with the same stuff. Now -- this guy, at the last Gonzos gig I saw him at, had the audacity to open with a dead baby joke. The room went silent. Again, this time he opened with a race joke, and again the room went silent. This is how impressed I was... "Yaaaawwwwnnnnnn." It's the same material as last time, with a couple of new bits. The audience was lost to their own conversation. The Teege's Rating -1/5 Disappear off this planet you Frankie Boyle wannabe. (Other words were whispered between me and Mr White on the night, but you get the gist).

This was, I believe, my fifth time seeing Mr Cross in action -- I've seen him several times at Gonzos, and once at Aroma. I've a little more time for wry, dry, cynical humour with deadpan delivery than my esteemed colleague The Teege, and was impressed to see Ryan administering some fresh material to the masses. Though I'm scarcely an expert in the field, I feel what holds him back is that much of his material is anecdotal. For example, his act that night crescendoed in tales regarding a recent trip to Germany, which had apparently culminated in his encounters with individuals best described as with... strong and unpopular political views. He recited how he and his entourage of travelling companions had implored one another to leave the company of said individuals as soon as possible. He then admitted that that story wasn't particularly funny. With respect, sir -- why are you telling the audience of a comedy club it, then? 2/5 from Mr White.

Next up was James Farmer. Neither me or Mr White had heard this gentlemen before, so our ears were pricked. This guy captured the audience with his family-centred humor. He was upbeat and energetic, he worked with the audience, lost them in the middle, but towards the end of his set had me and Mr White holding onto our sides. Honestly a contender for the performance of the night! The Teege's Rating 3.5/5 - Good, maybe learn to open up a little more and capture the back of the audience as well as you do the front.

Mr Farmer was witty, quick with quips and smart in his delivery. Upon learning that an audience member's name was 'Cleopatra', he staunchly refused to believe her and declared her instead to simply be shouting random 1990s girl group names at him. Later during his set, he returned to Cleopatra, who responded to her name with "Coming atcha!" -- James, like lightning, regarded her comeback as a lewd sexual innuendo and declared that he was shortly to begin dodging unsavoury bodily fluids in some slow-mo Matrix sequence.

He also read out some Facebook statuses, which is actually more common among modern comedians than you might think -- but his delivery, cheeky appraisals of each and final punchline of "HASHTAG DEAD NAN!" was the very comedic tincture that The Teege has chronicled as the source of our much-tickled ribs. 4/5 from Mr White. Best audience interaction and among the best newcomers!

A new favourite of ours to take the stage was Tom Appleton, the punk rocking Norfolk original. His first words? "F**k the mic!" -- he left that there, running into the middle of the audience and using his booming voice to hold to room's attention for the entirety of the performance. His jokes were insane; varied from the locality to life itself. There wasn't a single point where he didn't stop moving! The hair was used as a medium, the 8-inch spikes atop this man's head! The audience were engaging! They wanted more! But alas his set came abruptly to a stop. Why?! Dammit! This was after a year out of the comedic light; honestly man, do not disappear again! The Teege's Rating 4/5 - Do more you spiky headed madman! BRING THIS MAN BACK!

Tom Appleton utilised to full effect the old adage, "Always under-promise and over-deliver". We had the pleasure of meeting him before his set, and a more humble and convivial fellow you could seldom hope to meet, spiketacular hair and angry plaid trousers or no. On stage, though? Imagine Ade Edmonson's performance as Viv from The Young Ones turned up to eleven, injected with the fury of The Sex Pistols and the mania of a ten-year-old after five cans of Monster. A complete transformation that held the room rapt -- Tom swarmed from the stage into the room and back again, sending peals of laughter at his antics with every quip and step. Highlights included his poetry about Justin Bieber (which comprised of him simply screaming the word "WHYYYYY?!" at the ceiling for almost ten seconds straight and then slumping to his knees), to his 'dark comedy joke' finish -- why was Hitler a terrible athlete? Because he couldn't even finish a race!

"It's positive, it's a good thing, he DIDN'T finish a race!" Tom hooted as the crowd howled with laughter and sighed with guilt at the sordid humour it entailed. 
Magnificent talent - 5/5 from Mr White! 

Gbemi Olapdieo was next -- friend of the orchestrator of Gonzos comedy nights, Nelson T Gombakomba Jr. This guy was odd... prior to his set, he kept wandering around all evening, laughing hysterically and then running through a door. What the deuce, man?! On stage, his jokes were far too long-winded, and the only one that got a laugh was him holding up a stick, saying something about it being a Nigerian selfie stick. This was his third performance and I would probably suggest you stay at home for the next one. At least you're not like the next guy, so I suppose you are tolerable. The Teege's Rating 2/5 - Seriously WTF man?

It's apparent to me that The Teege enjoyed Gbemi's performance somewhat markedly less than I! His cheery demeanour and sense of vulnerability was, to me, somewhat endearing, and his humour was actually somewhat clever, being based almost entirely on entrenched First World predilections to diminish the status of other nations. What do I mean by this? Nigeria, the gentleman's native nation, is actually one of Africa's most prosperous and advanced economies. However, knowing that most outside of said continent don't know/care about this fact, Gbemi uses it to fuel his comedy, turning prejudices we don't know we have on their heads. Thus, the Nigerian Selfie Stick™ -- in actuality, just a tree branch -- represents his subtle nod to us all, his statement implying that we find it funny because we think it could actually happen, and he finds THAT hilarious in its own right, and is showing us such. More clever than a simple stick pun would first appear, no? 3.5/5 from Mr White.
 
 
 
The next 'act'? I suppose I should mention this guy -- Fedor Tot... more like Fedor Tw@t. He did nothing but insult the audience. The room ignored him, as I have in this review. I won't even give him a rating. Done. The Teege's Rating -- Two of the comedians had to remove him from the stage... 'nuff said.
 


Permit me elaboration on The Teege's scornful, though not undeserved, appraisal. Fedor Tot was a comic proclaiming himself of Serbian heritage. Small and scruffy, it initially seemed he'd play the underdog card to his advantage, and engaged in wordplay I found charming -- variations of his surname and common parlances, such as "There's tit for tat, but there's never any tit for Tot."

Not the audience's cup of tea, but we soldiered on. And for whatever reason, Mr Tot's act devolved from a mildly structured series of repeated introductions followed by puns, into a bizarre socio-political rant. Taking the recent decision for Great Britain to engage in Syrian bombing as the centrifuge around which his befuddling blather span, Tot brought the UK's historically recorded bombing of Serbia into the fray -- yet his delivery was one of blaming and shaming rather than any modicum of humour.. Silence soon became cringing as audience members exchanged genuinely pained glances. What, had we been the ones flying the planes?!

British people are fully aware of their nation's abject atrocities as historically committed -- and smart comics know how to leverage that into good humour. Standing and shambolically throwing abuse at paying audience members under the vaguest pretense of comedy is another matter entirely -- to say nothing of actually starting arguments with members of the crowd! Tot was eventually convinced to leave the stage, on around the fifth attempt, by his superior comedic peers. His departure garnered his biggest applause.

Matching both Mr Mason's own succinct surmising and Mr Tot's own credibility as a comic, I deem his festival of embarrassments worthy of a fat and spectacular zero.

Finally -- and luckily -- a hero rose to claim back the night. Presenting the one the only Nelson T Gombakomba Junior the Second -- the main reason, besides seeing friends, that we show up to this gig! This man is full of stories, and their levels are phenomenal. He can work an audience, handle the hecklers and even has a couple of awards. Nelson has won Beat the Frog in the northeast and King Gong in London. He even won the UEA's talent show. With simple one-liners, to race, politics, life and current happenings, if there is a topic, Nelson can make a joke about it. He literally killed the audience with a one-liner about Oscar Pistorious... maybe they are the wrong words for me to use...? But this King of Zimbabwe (and the only black guy in Norwich, as he believes) stole the night. The Teege's Rating 4.5/5 - Should have got better seats. But someone stole my damn corner!

Nelson exemplifies rapid wit turned to good comedy. Riding the wave of Tot's disaster, he turned the entire night around, and uplifted the tone of the entire room, as he effortlessly opened his act by remarking on current affairs with concise aplomb: "Britain's decided we're gonna be bombing more than the last act!"

The room erupted into peals of mirth, and when the unruly folk at the bar escalated conversations above him, Nelson affixed them with a soft smile and uttered, "Could you guys just shut the f**k up?", garnering cheers and applause from the crowd in his doing so -- because this crowd WANTED to hear Nelson's magic. I've had the pleasure of watching Nelson's performances for almost half a year now, every month, and this was by far his strongest showing. Fresh material, witty improv, hysterical insistence on never impersonating the Prime Minister unless he's also miming interacting with a pig in a certain manner... Nelson's both approachable and a giant of the stage, and for him to have turned a divebomb of a prior act into a sensational stand-up finish, replete with politics, prejudices and countless jokes about chicken, is representative of the rising star in our midst he truly is. 5/5 from Mr White -- Nelson was at his finest form as ever I've seen him, and I already eagerly await the next gig!

So, big guy - to summarise?
 

Overall, the comedy was okay, some of the performers were new to it and some were old hands -- but my comedians of the the night had to be Tom and Nelson! They both stole the show and had the audience in bits, a close runner-up was James Farmer... but honestly Nelson, if you're reading this and you even consider the thought of bringing Tot the Tw@t back, words will be had!

The Teege's Overall Rating 4/5 - Bring the good ones back!










Gonzos - https://www.facebook.com/clubkartel/
Nelson - https://www.facebook.com/nellyG14
Alexander - https://www.facebook.com/AlexanderrofledaLoliver?fref=tl_fr_box
https://www.facebook.com/ViktoriaDeRoyPhotography

Monday 7 December 2015

Be At One in Norwich - Mr White's Rum-Fuelled Review


A 'Fine City' though it may be, Norwich's reputation as a more laid back community in comparison with many of the United Kingdom's most active economic centres is not exactly hard-won. That said, the fact that Norwich's economy is so strong, and has remained so throughout the Great British economic downturn at large, reinforces the sleepy city's penchant for attracting businesses to its labyrithine streets.

Which is a really fancy way of opening an article that is basically me saying, "Oh look! Another cocktail bar has opened." That's right -- budge up, all you craft pubs and gin houses and whatever the blazes they've decided to open on St Benedict's Street this week! There's a new bar in town, and its name is Be At One. Situated in the Tombland area of the city, a locale already teeming with chains such as Vodka Revolution, Revolucion de Cuba and, confusingly, All Bar One, Be At One has stormed into sight like the drunk blonde at a cocktail party. Which, incidentally, this review shall likely verify to be said establishment's core demographic.



In late 2015, Norwich made headlines when it was discovered that Prince of Wales Road -- the hub of the late night drinking community, replete with nightclubs, strip clubs and the odd confused pub, each of the latter demonstrating the befuddled architectural equivalent of your granddad at a music festival -- is apparently the fourth 'most dangerous' street in Britain to drink on. Given that said road is just around the corner from Be At One, the city's drinking establishments are keen to shirk such an unsavory reputation, instead presenting themselves as cheeky and fun.

Me? I don't buy the 'dangerous street' thing at all. Most dangerous thing I ever came across was the time The Teege™ and I were on our way home late one night after some salacious drinkage, at such time as we were gigglesomely kidnapped by a trio of Japanese women.

If that's your definition of 'dangerous', sign me the frell up.

Anyway. The venue. The review's being written on the basis of three separate visits, in order to administer what I consider even judgement. Be At One's Norwich branch opened in November 2015, situated in what had formerly been Lola-Lo. The ambience that the place seems to go for, all leather chairs and red lights and neon, is that of a sophisticated evening venue for sophisticated people -- and the middle class clientele, all young professionals, giggling girls, well-groomed boys and the odd gaggle of yowling menopausal mavens in yonder corner -- certainly reinforces the ethos.

However, such recumbent surroundings are starkly juxtaposed against a backdrop of seething, noisy music, which completely drowns out any of the relaxed, chucklesome banter you might come to expect from the low lighting and artful decor. Indeed, you're instead screaming the drink you're after at the bar staff above Icona Pop's helpfully cacophonous reminder of how they simply do not care that they were involved in an automobile accident involving an overpass. And while you're doing this, half the bar staff are dancing around, because look how fun Be At One is, you guys!

It's a hopelessly mixed message. While jaunty, friendly staff are a boon to any business -- and the service is swift and courteous -- the penchant for bounding around robs the place of any semblance of professionalism. Again, if this is what you're going for, Be At One, then great -- but then why all this varnished wood, leather plush seating, women in fine dresses? Why are your doormen personally opening the front doors of your establishment and politely greeting your patrons? How is that couple over there in the corner going to perpetuate a deep and meaningful conversation above Beyonce's insistence that anything that is liked ought have a ring affixed to it at the earliest opportunity?

The three visits I've conducted in reaching the conclusions as wrought out before you, dear reader, were across the sprawl of a Thursday shortly after opening, a Tuesday the following week -- because a bar truly shows its character during downtime -- and a Friday. Each time, the service was fast, the doormen were courteous, the rum was fine, the patrons were pretty/handsome, the ambience was aesthetically pleasing, and Jesus Christ on toast was the music ever loud.
But look how FUN everyone is!

But the thing that's really pissing in my oatmeal? Two things, actually. Firstly, the forced fun. Because there's a trouble with chains, even those with family business roots. Somewhere along the way, they lose their heart. Be At One is to cocktail bars what Starbucks is to coffee houses -- delightful at first, but rapidly revealing itself to be a soulless place wrapped up in perfunctory joie de vivre.

Look at the dancing barman! What a jolly! See how the middle-aged ladies crow in delight at his jocular madness! Why, the first time I saw this display, I regarded Be At One as a fine breath of fresh air to a city formerly threatening stagnation.

Second time I visited and saw the barmen dancing? Great! Wasn't just an opening week thing!

Third time? Oh. This again.

The act never changes, because it's just an act. It's not born of spontanaeity or true zeal. And it's all just a distraction from my real beef with the place, which is that the bar staff, with perfectly straight faces, will charge you frankly outrageous sums of money for your beverages.

Indeed, most of the cocktail menu leans towards the range of the mighty tenner, which would be fair enough were this a) London, or b) not a bar situated in the hub of Norwich's cocktail bar district. Hell, if I want a cocktail I can take my ease in choosing a venue, so why am I chucking a tenner at you? To watch Flash Freddie Bar Boy boogie to Ja Rule? And while the cocktail I had -- Dark and Stormy, which is Kraken rum and ginger beer, as well as the express train to Tipsy Tony Town -- was damn delicious, what if I don't want a cocktail? What if I just want, say, a single shot of Kraken?

Five quid.

A single shot of Woodford's Navy rum?

Six. English. Pounds. Stirling.

Where in the name of Catholic buggery are you conjuring these damn prices from?! Do the bar staff go up to the till, pull a lever like a one-armed bandit machine and then just blithely read out whatever random number it coughs up? Each of those shots can be readily obtained for half the prices I've furiously tabulated here. Indeed, for a fiver I can trot across town and drink Diplomatico, one of the finest rums known to man, or a double Kraken. Saunter a little further? I'm in the Norwich Playhouse, and although that means tolerating a staff complement of peculiar hipsters and moody, tiny barmaids (Be At One, to its credit, contains refreshingly few of what is otherwise just such a Norwich bar staff staple), I'm sipping Pink Pigeon, an astonishingly fine rum. An astonishingly fine rum that I'd have bought for not much more than two quid, thank you very much.

So what am I paying for in Be At One, then, that warrants such copious coinage? The ambience, you say? Yes, yes, of course. Because now I am among the pretty people. Lucky me. Look how refined it all is, and how our sophisticated demeanour matches the lovely red lights and the cushy furniture.

No. It's just a posh piss up, is all. This cultured aura Be At One is so eager to reinforce is, indeed, shot down in wailing flames by the lunatic barman boogying, the fake fun and the prices I'm never quite tipsy enough to convince myself are worth paying.

Indeed, I'd tell your bar staff just where they can put six bloody quid for a single bloody shot of bloody rum, but they'd never hear me above the thundrous and pulsating aural onslaught they're pumping into the place, and I'm not getting into a cocking shouting match against Kanye cocking West.

Alackaday -- for a venue insisting that we all Be At One, this place seems split between two different directives. Et voila, a befittingly dualistic rating.

2.5 / 5 Stars


Teege's input on not even venturing close or even IN this establishment, as so eloquently put by my wordier half, is simply this. Nearby Norwich pub, The Mischief, has pints for £3.15. It's not rum, but you can therefore buy two pints for what would be just a shot of Be At One's Woodfords Navy rum.


I'm out!